AS Media Studies Adam Scholz

Shot number Shot type Camera movement Length Int/ext Props Equipment 1 Establishing Tilt (downwards) 5-6 secs Interior  --- Tripod 2 Full shot ---  6-7 secs Interior Winter clothing Tripod 3 Over-the-shoulder shot Tracking 6-7 secs Interior ---   --- 4 Medium Match on action ---  2-3 secs Interior  --- Tripod 5 Close up Tracking 6-7 secs Interior ---  Dolly 6 POV shot ---  4-5 secs Interior ---  Tripod 7 -Shot 6 repeated from 2 angles with 180 degree rule- Length: ~20 seconds This shot list helped us create the film because it helped us know exactly what we need in terms of type of shot, length, equipment, props and any movements in the camera. This would minimise the amount of time wasted and everyth

Interrogator: (calmly) So, where are they? Suspect: ………………… Interrogator: (more firmly) Where are they? Suspect: (trembling) I … I can’t t-tell you… Interrogator: (commanding voice) Tell me where they are Suspect: (more fear) I c-c-c-can’t … Interrogator: If you don’t tell me where they are, you will regret it [fade to black]

As a group, we created this storyboard. It shows the build up to a short interrogation between a detective and a suspect. We chose to have this build up since it would build up tension in the scene. It starts with a view of a 'hurred-up' window, which will make it look as if it is winter. The camera will pan down before it cutting to the next shot. In the next shot, it will show a figure walking through a door, with a coat and scarf on. As he walks through, he will take off the scarf. This use of mise-en-scène will help make it clear that it is, in fact, winter. There is then an over shoulder shot of the figure walking towards the door and reaching for the handle. Once he has grasps the handle, the camera will cut to the other side of the door, as it opens. Then it cuts to a low angle of the figures feet, the suspect in the background. However, the suspect will be out of focus. There is then a P.O.V shot of the figure sitting down in-front of the suspect. There

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